Tag Archive | "Supernatural"

Spring Fantasy TV Preview

Tags: , , , ,


Thanks to channels like SyFy and Starz, fantasy fans are spared the effects of the nonsensical “seasons” of network TV. Things like the “winter hiatus” find crime procedural fans rocking back-and-forth in a corner, humming the Law & Order theme over and over, while hospital drama fans stare at the wall and repeat “McDreamy, McDreamy, McDreamy” until they develop facial ticks.

Lucky for us, when Elizabeth Mitchell takes a break from fighting aliens and Joshua Jackson takes a time-out from the alternate universe, we can just flip over to another channel and pick up Spartacus or Caprica.

We’re not desperate for network TV shows to return, but we confess that we are excited.

Here’s a look at when our favorite fantasy shows are coming back, and what to expect when they land.

Warning: Mild spoilers below!

FlashForward (March 18, ABC) — The one future FlashForward can’t seem to predict is its own. Ratings haven’t been promising, and critics can’t decide if they love it, or if it’s a watered-down, island-less Lost. The show has been on hiatus since Christmas, which has given the writers a chance to rethink their strategy. Their plan is to stop asking so many questions and start answering the ones they’ve already posed. Plus, they’re adding Battlestar Galactica favorite James Callis to the mix, which is enough to get almost any fantasy fan’s heart thumping.

Supernatural (March 25, CW)Supernatural’s 100th episode will air April 15th. There are rumblings that Jo, Ruby and Bela will return, but CW hasn’t confirmed it. Before that, though, Sam and Dean have got to figure out what’s happening in Bobby’s hometown. Or, more accurately, they’ve got to figure out how to deal with the zombie infestation going down in Bobby’s town (including Bobby’s wife). The apocalypse is nigh! Of course, the apocalypse has been nigh and the show has still managed to entertain for 100 episodes. We’re not expecting brimstone just yet.

Vampire Diaries (March 25, CW)O.C. alum (and my all-time favorite TV mom) Melinda Clarke joins the cast as Matt’s mom when the show returns. She’s not crazy about Caroline — though to be fair, when has she ever been crazy about any of her TV children’s partners? (Except Luke, who she slept with.) In other news: Stefan will be vamp-napped by some revenge seekers, Damon will be auctioned off for love, and a stranger knows Elena’s secret.

V (March 30, ABC) — Executive producer Scott Rosenbaum has promised at least two or three reveals in every one of V’s final eight episodes. There’s going to be a showdown between Erica and Anna, too. In addition to driving the plot forward at breakneck speeds, Rosenbaum also insists that viewers will be rewarded with long-awaited backstory. ABC hopes the combo story-telling with reinvest viewers who are already familiar with the show, while hooking in a new audience. V is on the bubble, so we’re crossing our fingers the strategy works.

Fringe (April 1, Fox) — In their spring preview issue, Entertainment Weekly reported that the relationship between Peter and Olivia “will develop a lot” by the end of the season. The dichotomy between Walter Bishop’s past and present will become even more “moving and poignant.” And he and William will definitely meet up at the end of the season. We already know that Fox has greenlit a third season of Fringe, so we’re expecting nothing less than a delicious cliff-hanger in the two-part finale.

Smallville (April 2, CW) — CW has already granted Smallville a tenth season, making it one of the longest-running primetime shows ever. Unfortunately, most of the original cast has moved on, and there’s a good chance Erica Durance won’t be back next season. But for now, Clark’s got the Silver Banshee and Max Lord to deal with. Maybe Smallville’s producers can de-Kryptonite Lana and bring her back for season ten, now that Kristin Kreuk done messing with Chuck and Sarah’s true love on Chuck.

Also of (non-network) note Stargate Universe returns with five new episodes on SyFy on April 2nd. And Matt Smith’s Doctor Who is coming to BBC America on April 17.

Follow us on Facebook or Twitter.

SUPERNATURAL Behind-the-Scenes

Tags:


The CW Renews SUPERNATURAL for a Sixth Season

Tags: , ,


Surprising absolutely no one, The CW has confirmed to the Chicago Tribune that it has renewed Supernatural for a sixth season — something that has been hinted at all year long. Better still, creator Eric Kripke will remain at the helm.

“We’re climaxing that story this season,” executive producer Sera Gamble said of the current “apocalypse” storyline. “We’ve been working on the Season 6 storyline for quite some time, and we’re very excited about it. We have lots of ideas, and are grateful for the chance to keep the show going.”

Kripke had previously spoken about his “five-year plan” for the show and hinted that he would not continue after that — although his comments about ending the series had become far more ambiguous in the last year.

The CW has also announced that it is renewing The Vampire Diaries for a second season, which is also no surprise, since the show has been a solid hit for the network.

SUPERNATURAL Episode Review (5-14): Two Brilliant Scenes!

Tags: ,



Four and a Half Torches (Out of Five)

Warning: This review contains spoilers for the “My Blood Valentine” episode of Supernatural.

Okay, that opening sequence was really creepy. Two lovers so insatiable for each other that they eat each other — and love doing it?!?

When I read that the Valentine’s Day episode involved a rogue “Cupid,” I was expecting another humorous episode.

The episode had its comic moments — Ha! It turns out Cupid is no baby, but he still goes around naked! — but this certainly wasn’t a cheeky romp through a dimension of TV channels or convention of Supernatural fanatics, was it?

I’m not criticizing: this is a horror show, after all, and that opening scene was actually quite brilliant. (I kinda wish it wasn’t in my head, but what are you gonna do?)

The (great) twist, of course, was that the problem wasn’t Cupid per se, but that “Famine,” one of the “horsemen” of the Apocalypse predicted in Revelation, has come to town, inspiring all many of gorging. Appropriately enough, Famine devours souls.

And, of course, it makes sense that, under the influence of Famine, Sam would once again crave demon blood.

Another great twist, perfectly set up for the third act, was when Famine smugly announced that he can’t be sent back to hell by Sam’s demon-induced powers … only to have Sam point out that he can still vanquish the demon souls inside him that he recently devoured.

Nice.

The best villains this season — Lucifer, “Paris Hilton” — have all had strong points-of-view, and made some pretty interesting social commentary. Famine was no different:

America, all you can eat all the time, consume, consume. A swarm of locusts in stretch-pants — and yet you’re all still starving, because hunger doesn’t just come from the body, it also comes from the soul.

Hammer meet nail.

Finally, there’s Dean’s emotional arc in the episode. The episode gave us a pretty clear hint that something serious was up when Dean had a sudden lack of interest in food and sex even in the presence of Famine.

It was because there’s nothing he deprives himself of, right? That’s Dean’s explanation. But Famine has a different take:

You’re not hungry, Dean, but inside you’re already dead.

And, of course, Famine was absolutely right, as was revealed in that incredibly touching final scene when Dean actually prays to God for help.

Dean prayed for help!

Frankly, that closing scene was just as shocking, and even more brilliant, than the opening one.

Nice episode.

SUPERNATURAL Episode Review (5-13): Sam and Dean Go Back to the Future

Tags: ,



Three and a Half Torches (Out of Five)

Warning: This review contains spoilers for the “The Song Remains the Same” episode of Supernatural.

Supernatural took us forward into the future earlier this years (to the nightmare that might be President Sarah Palin!). Now they’re taking us back into the past (again), to stop the renegade angel Anna from killing Sam’s parents, John and Mary, thus ensuring Sam is never born and never able to become Lucifer’s vessel.

Problem is, the show took us all that way without having anything very interesting to say.

I take that back. As usual, Dean had some pretty hilarious lines:

  • “What exactly we going to tell them? That their sons are back from the future to save them from an angel gone Terminator? Come on — those movies haven’t even come out yet!”
  • “Wow, awkward family trip.”
  • “Awesome. Six degrees of heaven bacon.”

It was interesting hearing Sam have an argument with his own father (who doesn’t know he’s Sam’s father) about the character of “his father.”

“I used to hate the guy,” Sam tells John.  “But now I get it. He was just trying to keep it together in this impossible situation. … The truth is, my dad died before I got to tell him that I understand why he did what he did. And I forgive him.”

A nice moment. Unfortunately, it felt way too much like a moment we’ve seen on this show before. In fact, didn’t Dean have a similar conversation with either John or Mary the last time he came back into the past?

The episode’s title is “The Song Remains the Same,” but apparently there’s a fine line between irony and an actual description of this episode.

One nice twist is that it turns out it wasn’t just Anna going into the past to change the future. Sam and Dean (especially) are too: they want Mary to leave John to make sure she doesn’t give birth, and get killed, and prompt their father to become a hunter, raising Sam and Dean to become hunters too. They’re “cursed,” so they don’t care if they’re never born.

Alas, it’s too late: Mary is pregnant. But then that was screamingly obvious even at the beginning of this scene.

All in all, it was just more talk about (a) how the weight of the world is on the shoulders of the Winchesters and (b) how everything is inevitable, including the fact that both Sam and Dean will allow themselves to become the vessels of Lucifer and Michael.

I love these themes, but come on: been there, done that. Sadly, this season is starting to feel like we’re in holding pattern, circling endlessly over an airport, waiting until we can finally land the plane in the last few episodes of the season.

(At least it’s not yet as bad as the final, worthless season of Buffy, where we and the characters spent 23 episodes sitting around waiting for the finale.)

Anyway, if Supernatural is going to go back to the season-long story arc (and I love that story, so I’m glad when they do), they have to move that story forward or we’ll just end up feeling unsatisfied.

That’s pretty much how this episode left me.

SUPERNATURAL Episode Review (5-12): How Do You Screw Up a Body-Switching Episode?

Tags: ,



Three Torches (Out of Five)

Warning: This review contains spoilers for the “Swap Meat” episode of Supernatural.

So Supernatural finally does a body-switching episode — and they mostly screwed it up.

I can’t help but compare it to last week’s episode set in the insane asylum, which I found to be an almost perfect combination of a great set-up, lots of witty dialogue, and a central emotional conflict that tied in with the over-arching characterizations and themes of the series.

This episode had the great set-up: a teenage geek dabbling in witchcraft manages to switch his body with studly Sam’s. But apart from that pretty great opening scene in a bar (where Sam orders a banana daiquiri, paper umbrella and all), the stabs at humor were strained and obvious (porn magazines hidden in his bedroom? Star Wars paraphernalia? Seriously?).

And the tie-in with Sam’s character was equally strained. Yeah, Sam’s family had a “plan” for him too — and Lucifer has a “plan” for him now.

But unlike “Sam, Uninterrupted,” the episode never went beyond the painfully obvious, thematically speaking.

But here’s the episode’s real weakness: it was a body-switching episode that didn’t allow the actors to switch bodies. When “Gary” becomes “Sam,” we see Sam in the mirror for a moment, but from then on, he’s played by the actor playing Gary. Likewise, with Sam.

This definitely doesn’t make sense within the mythos of the show: when a demon inhabits the body of a human, we don’t see the demon, right?

But far more importantly, the show lost a fantastic opportunity for Jared Padalecki to really show what he’s made of, actor-wise (and the kid too, who was admittedly terrific). Imagine the possibilities! We saw a hint of it in that wonderful opening scene.

I suspect they were worried about “confusing” the audience, so they dumbed it down. But they should have trusted their actors, who I absolutely think could’ve pulled it off — and would’ve made the episode a joy to watch.

Instead, it was just a by-the-numbers story, one that felt like I’d seen it a hundred times before — even a few times before on this particular show.

SUPERNATURAL Episode Review (5-11): Sam and Dean Fly Over the Cuckoo’s Nest

Tags: , ,



Four and a Half Torches (Out of Five)

Warning: This review contains spoilers for the “Sam, Interrupted” episode of Supernatural.

Well, Supernatural came back from its hiatus with a bang!

Just like almost every episode this season, the set-up was a strong one: Sam and Dean get themselves committed to an insane asylum in order to hunt a wraith who is feeding on the patients in the facility, sure that no one will believe them when they scream, “Monster!”

How do Sam and Dean get themselves committed?

By telling the truth about their lives!

Brilliant. And hilarious.

The set-up provided the fodder for more of the show’s patented cheeky dialogue, in this case all manner of wonderful “insane asylum” references:

  • “I’ve seen One Flew Over the Cuckoo’s Next. Don’t try any of that soul-crushing authoritarian crap with me.”
  • “Quid pro quo, Clarice, quid pro quo.”

They could’ve merely executed the solid premise, thrown in more of this snappy dialogue, and called it an episode. But as usual for this show, they didn’t just leave it at that.

They used the episode as a device to explore Sam and Dean’s real-life psychological issues: Dean’s crushing sense of responsibility and emotional-evasion techniques, and Sam’s sometimes uncontrollable anger.

I was genuinely touched during the finale when Sam has an (angry) moment of self-doubt and Dean gives him the secret of his success: suppress, suppress, suppress!

Perfect Sam and Dean.

Better still, the episode had a solid plot, with three terrific, very plausible red herrings before the real “killer” is revealed: the head doctor, who at first appears in the mirror to be the wraith; the “kissing” patient”; and the very real possibility that Dean (and Sam) really are insane.

God, it’s nice to have this show back. Don’t ever leave me alone this long again, okay?

Video Clip From This Thursday’s SUPERNATURAL

Tags: , , ,


After a long hiatus, Supernatural is back with a new episode this Thursday, and the CW has released this pretty funny (spoiler-free) scene from the episode.

Meanwhile, USA Today has an interview with the show’s creator, Eric Kripke, and he includes talk about what’s in store for a possible sixth season. (Incidentally, is there anyone left who thinks there won’t be another season?):

If there’s a sixth season, how do you top the apocalypse?
Well, the trick is to not go big but go intimate – at least those are the initial conversations we’ve had [if the show is picked up for a sixth season]. We always set up this five-year storyline, because in my heart of hearts, I just never imagine we’d actually go five years, much less beyond. We are going to climax the storyline and really wrap up the story of Satan and Michael and the apocalypse. The big question is, how do you follow that? We look at this as a unique challenge but also an opportunity to really launch a new storyline next year. We’re almost looking at it as the sequel to a movie. Rather than as a lot of genre shows do as they get on in years, becoming so convoluted and almost collapsing under their own mythology and getting to the point where you just can’t follow any of it anymore, we’re really looking forward to the opportunity of just sweeping it all clean and starting over with something else. We talk about returning to a stripped-down version of the show that’s almost similar to season one, in which the mythology was just as simple as finding their father and finding something that’s really personal and meaningful to Sam and Dean. One of the things that’s hard about the end of the world is sometimes it’s hard to have your characters emotionally connect with it, because it’s so big. But if their emotional storyline for, say, season six is to save a loved one, then that’s something you can really understand and get behind and actually have some really emotional storytelling that takes you through a lot of the scary episodes.

So you think about what you’ll do in the next season — how about who you’ll do it with? We don’t know yet if Sam and Dean will survive the end of the world. Are they in your plans?
Oh, absolutely. The one thing I can say is there’s no Supernatural without Sam and Dean. If they’re not driving the bus, then I’m not sure there’s a bus to drive. Maybe they’ll survive this year and maybe they won’t, but we’re at the point where, hilariously, death on our show for our main characters has now basically become an inconvenience. [Laughs] Even if they don’t survive, they’ll certainly be back for a season six. I just don’t know how to tell this story without Sam and Dean.

Read the full interview.

EW Tells Us Nothing We Didn’t Already Know: There “Might” be a Sixth Season of SUPERNATURAL

Tags: , ,


Eric Kripke, the creator of Supernatural, has been hinting all year that he might be willing to come back for a sixth season of Supernatural, Jared Padalecki and Jensen Ackles have implied they’d also be on board, and the CW network has demurred when asked if this will be the last season of the show.

Now EW has got Kripke to say this once again, and the magazine is treating it like it’s some kind of big “exclusive” story:

“I did set out [to] tell a five-season storyline,” [Kripke] maintains. “Quite frankly, I never expected [the show] to make it to five years. But now that we’re in our fifth year, I have every intention of ending the story with a bang and not drawing it out or watering it down.” …

“That having been said,” Kripke continues, “I’m looking at this season as the last chapter in this particular story. That doesn’t mean there can’t be a new story. Buffy did it. The X-Files did it. You close a chapter on a big mythology storyline and then you begin a new one.”

This is obviously great news, but it’s also not really “news.” Move along, folks, there’s literally nothing to see here.

Touched by a (Killer) Angel

Tags: , , , , , , , ,


“The last time God lost faith in man, he sent a flood. This time, he sent Angels.”

And you thought global warming was scary.

Legion, which hits theaters this month, is about the Apocalypse coming in the form of angels declaring war on mankind. Pretty awesome stuff, but hardly ground-breaking.

Tales of mankind facing off against angels are as old as, well, the Old Testament, but a resurgence of interest in the kick-ass celestial choir means that we may be on the verge of a new trend.

Are angels the next vampire?

As perhaps the most popular work in the public domain, the Bible has long been an influence on fiction, and it would be impossible to pinpoint the exact origin of this new wave of interest in angels, but certainly a large contributor would have to be the ’90s comic series Preacher, by Garth Ennis and Steve Dillon.

Preacher tells the story of Jesse Custer, a small-town Southern preacher who finds himself on a mission to confront God after he is possessed by an entity called Genesis, the product of an unholy union between a demon and an angel. The series was shockingly violent and profane, and seemed to go out of its way to offend anyone with even the slightest attachment to Judaism or Christianity.

And yet you have to give Garth Ennis credit for his audacity and courage to write a series in which God is a coward and angels are foul-mouthed alcoholic losers.

Kevin Smith, of Clerks fame, was an outspoken fan of Preacher, and concocted a Man vs. Angels tale of his own in the 1999 film Dogma. The film is a send-up of Catholicism in almost every way imaginable, and stars Matt Damon and Ben Affleck as two rogue angels who have been cast out of Heaven by God’s command.

However, they find a loophole that will allow them to return to Heaven when a bishop declares that walking through a church threshold will absolve all sins. The problem? It turns out all of existence is founded on the idea that God is infallible, and to prove God wrong means the end of all that is.

Though the movie hasn’t aged that well, it’s worth a watch for the great performances, particularly Chris Rock as Rufus, the 13th apostle, and the always dependable Alan Rickman as the Metatron, an angel who acts as the voice of God.

Another gem from the ’90s was the Prophecy films, starring Christopher Walken as the renegade angel Gabriel. The film features — what else? — the apocalypse being very seriously nigh, and all hell is about to break loose, particularly when Viggo Mortensen shows up as the most seductive Lucifer to ever appear on screen.

While the early part of this decade was all quiet on the angel front, that changed in a big way with the surprisingly underrated Supernatural, which readers of this site surely know is one of the best television fantasies that’s airing right now, and features a wide array of angels and demons duking it out for world domination.

And according to this article, angels may be taking over the teen-romance burden currently being shouldered by vampires. God help us. (See what I did there?)

Personally, I’m rooting for the sword-and-guts angels over the swoony-puppy-love variety, and it’s clear the makers of Legion are on my side. Here’s the trailer:

Looking to buy something mentioned in this column (or any other media)? Support TheTorchOnline.com by purchasing it through this link.


SUPERNATURAL Episode Review (5-10): Thus Endeth the Comedy Episodes!

Tags: , ,



Four Torches (Out of Five)

Warning: This review contains spoilers for the “Abandon All Hope” episode of Supernatural.

Well, I guess this means that the string of “comic” episodes has come to an end, huh?

As regular readers know, I’m always yammering on about wanting them to get back to the “greater” story arc. And now they have, and here I am giving them only four torches. What gives?

It’s not that there was anything wrong with the episode. It’s just that the sum of its sometimes-interesting parts seemed somewhat less than a hit-it-out-of-the-ballpark whole.

Mostly, it all had a very familiar feel. I can point to past episodes where we’d seen before almost everything that happened here.

That said, credit must be given where credit is due. Killing two beloved reoccurring characters? That always takes guts, and it absolutely raises the season-long stakes. It was a typical “they-sacrifice-themselves-for-the-greater-good” killing of those characters, but still. It was touching and effective.

The story itself was reasonable able: use the Colt to kill Lucifer. Of course, it’s only the tenth episode of the season, so there was no way it was going to work (something that, to their credit, even the characters themselves seemed to sense).

But hey, they had to try.

The invisible hell-hounds were also very cool (and, no doubt, cost-effective!).

And there was one exchange that must be highlighted, right before they try to kill Lucifer.

Sam (to Dean): Last words?

Dean: I’m good.

Sam: Yeah, me too.

At first, it seems to be a typical Dean-ism — a flippant attempt to evade emotion.

But perhaps the exchange has another layer of meaning. Maybe Dean is saying, “I’m going to take Lucifer on, and hey, I am good, both at what I do and morally.”

And Sam is responding: “Yeah, I’m good too — now anyway, despite what I may have done in the past.”

Reading too much into it? Maybe, but it’s still fun to think about. The dialogue on this show is so good you can’t help but think about it.

Oh, and it must be said: this episode reminded me yet again how exceptionally well-cast this show is. It’s not just the leads who are terrific –  Meg, Ellen, Lucifer, and all the supporting cast are fantastic.

Well, damn. I’m a little sad now. I’m gonna miss Ellen and Jo (although, this being Supernatural, it seems pretty likely I’ll see them again soon…!).

Episode Review (5-9): Next Panel? “The Homo-Erotic Subtext of SUPERNATURAL”

Tags: , , , , ,



Five Torches (Out of Five)

Warning: This review contains spoilers for the “The Real Ghostbusters” episode of Supernatural.

Let’s get one thing very clear up front, shall we? It’s impossible to parody something that isn’t either really good or really bad. For parody to work, people have to have a very clear, very specific idea of exactly what’s being parodied.

“The Real Ghostbusters,” tonight’s terrific episode of Supernatural, proved yet again what a fantastic show this is. Why? Because by parodying themselves, they showed just how indelible and original this show really is.

When it comes to humor, the characters, the storylines, and the overall look, there has never been a show on TV quite like Supernatural. All the details are great too, and made for easy humor: Dean’s love for his Impala, Sam’s and Dean’s FBI pseudonym’s, and on and on and on.

The tone of a TV show is often invisible, because it seems so effortless, like it just “happened.” But I believe that creating something that feels genuinely fresh and new is actually an extremely difficult thing to do. This is why most TV feels so hackneyed, like you’ve seen it all before (because you have!).

I also have to give a lot of credit to this specific episode. On the surface, it sounds like this episode would write itself: Sam and Dean go to a “Supernatural” convention — a convention of fans of the series of books-within-the-show based on Sam and Dean’s lives.

How could the writer miss, you say? Oh, please. There were a million different ways they could have screwed up this clever premise.

But again and again, the episode got it exactly right. Mostly it did what I most love about this show: it deftly alternated between perfect humor and genuinely scary or touching moments.

The names of the panels at the Supernatural convention? “Frightened Little Boy: The Secret Life of Dean” and “The Homo-erotic Subtext of Supernatural.”

Hilarious.

Meanwhile, the twist about which ghosts were the real villains was nicely unexpected. And it was truly touching that by the end of the episode, the “fat guy and the dork” get to be the heroes.

Indeed, after the real Dean tells Fake Dean that Dean’s life “sucks,” Fake Dean sets him straight:

No offense, but I’m not sure you get what the story’s about. In real life, [my partner] sells stereo equipment, and I sell copiers. Our lives suck. To be Sam and Dean, to wake up every day and save the world, to have a brother who would die for you … Well, who wouldn’t want that?

In other words, the character of “Dean” is being told by a role-playing fan of his “character” what his life is really all about. That’s some really complicated stuff. But, of course, it makes perfect sense — who better than a Sam and Dean “LARP” player to get to the heart of their story?

Likewise, it makes sense that “super-fan” Becky, who has surely pored over every word in the books, would know and remember some details about the Colt that Sam and Dean have forgotten. A nice, seamless way to add some important exposition for the show’s arc.

My hat is off to the writers of this episode: creator Eric Kripke (who scripted) and Nancy Weiner (who wrote the story).

TV doesn’t get much better than this.