Tag Archive | "Merlin"

Preview: MERLIN Conjures Up Second Season This April on the Syfy Channel

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The Syfy channel recently announced its plans to air the second season of Merlin, the British fantasy series that NBC aired last summer (where the ratings were dismal).

In short, American viewers will finally get to see what happens next in this brand spankin’ new version of Camelot.

Just to bring everyone up to speed, in this Smallville-tinged re-imagining, the action is set before Arthur ascends to the throne, and he and Merlin, a closet-case sorceror acting as Arthur’s servant, are the same age. The kingdom is ruled with an iron fist by the magic-hating Uther (Buffy’s Anthony Stewart Head), but Uther is secretly undermined by his trusted friend Gaius, who is training Merlin in the arts of magic.

Uther’s ward is the beautiful Morgana, who is starting to recognize magical powers of her own, and her best friend and lady-in-waiting is the kind-hearted Guinevere.

Much of the fun of any retelling of Arthurian legend is the different spin put on specific characters, events, places, etc. None of the leads are similar to most versions we’re accustomed to, and the first season brought us Nimue as a wicked sorceress, Lancelot as a commoner aspiring to be a knight, and Avalon as a haven for evil things.

So what does the future hold for this series set in the past? (Minor spoiler alert.)

For one, we finally begin to see an attraction grow between Arthur and Guinevere, and Morgana becomes more aware of her powers, thus setting her on the road to become Morgan le Fey. Morgause, Arthur’s villainous aunt (or half-sister depending on who’s telling the tale), will appear, and that darned dragon that’s chained up beneath the castle finally gets free.

One of the strengths of the first season was the way the writers used standard Arthurian legend as a jumping point for their own imaginations, and thus we were treated to a lot of stories set in this world that never felt tired or overused.

The four young leads are incredibly charming, and Colin Morgan is a fun and quirky young wizard. And in my humble opinion, one of the best aspects of the show was the very Buffy-like set-up of teenagers fighting the forces of evil, while under the tutelage of a rather crusty old mentor. And that Anthony Stewart Head is in it only makes it sweeter.

Merlin begins airing on the Syfy channel Friday, April 2nd.

The trailer for Merlin, Season Two

Magic with an Accent: Vampires on Twitter?

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What’s on the Telly?

Are you guys tired of talking about Being Human yet? I hope not! Because we’ve got two episodes and some exciting news to catch up on, and even some spoilers (for American viewers anyway, most of whom don’t have access to the magic I use in order to see these episodes as they air on British TV!).

Scroll down to the next section is you don’t want to know what Being Human viewers are currently seeing across the pond.

After a fair bit of faffing about and sketchy character development this season, Being Human finally hit its (albeit uneven) stride this week, and holy blood-stained Bible, it’s getting good!

We finally got some insight into why exactly Professor Kemp is so dead set on eradicating vampires — He was a priest! They killed his family! — which was obvious, but heart-breaking and nicely/creepily played by Donald Sumpter.

We also saw, in convenient flashback form, Mitchell’s (Aidan Turner) first attempt at going dry and how extremely needy and dependent that makes him, proving that he is yet another bad boy vampire in need of a woman to save him. Et tu, BBC? Say it ain’t so.

George (Russell Tovey) fell in love and moved out of the house he shared with Annie and Mitchell, and in with his new girlfriend, Sam, and Sam’s daughter, Molly, who is either creepy or downright manipulative (possibly both!). It’s still up in the air whether or not he’ll have any more luck with this girlfriend and what I mean by “luck,” well, not turning her into a werewolf would be a good place to start. Things don’t look great for George’s love prospects though, not with the apparent return of Nina (Sinead Keenan) next week.  She’s been hoodwinked by the nefarious Professor Kemp, who wants not only to destroy all of Bristol’s vampires, but to put all of Bristol’s werewolves into some sort of pressure chamber as well, and squeeze the wolf out of them. Good luck with that, Professor.

Annie (Lenora Crichlow) got a bit of something old and something new these past two weeks. She spent the entire fifth episode babysitting a ghost baby, who she named Tim. (Later to be revealed as Rufus. We prefer Tim.)

While this was clearly just a plot line to give Annie something to do during a heavily Mitchell-centric episode, it was adorable to see a ghost baby delighted by Annie’s poorly told ghost stories and come on: doesn’t the dead girl deserve a laugh?

Episode 6 also took us to the other end of the gambit, when Annie, distraught by George’s decision to move out, took to wandering the streets and wound up encountering a convenient plot point, Alan The Psychic. Through Alan, Annie made contact with her mother and helped her heal from the pain of Annie’s death. She also helped another ghost resolve his own death so that he could pass through Death’s Door.

(By the way, if anyone understands why Annie is so keen to help other ghosts pass over, but is herself desperate not to, let me know in the comments, yeah?)

And Mitchell. Poor, poor Mitchell fell off of the blood wagon and into love. Those supernaturals fall hard and fast, don’t they? Unfortunately, he fell for Lucy Jaggat (Lyndsey Marshal), who happens to be in cahoots with Professor Kemp. Together they plotted to blow up of Vampire Headquarters, with all of Bristol’s vampires inside. We’ll have to wait until next week to find out whether or not Mitchell was killed (I’m guessing not), but we did find out how vampires organize their meetings in their funeral parlor — they Tweet it!

Hey, why not? Works for the rest of the world.

For the record, here’s what I think those Tweets might look like:

Bits and Pieces

If you’re skipping past the spoilers, here is where you want to pick up! Exciting news of American Being Human fans. BBC America has announced that they’ve secured the rights to not only the show’s second season, to begin airing late this summer, but to the yet to-be-produced third season (which is moving to Cardiff — Torchwood crossover much?) as well. (Thanks to Vincent Austin for the heads up!)

But even though they’re losing Being Human, Bristol can continue to boast just a little. Keeping themselves entertained during this long, cold winter break, Star Wars fans took to the streets there on Saturday. More than 100 Jedi, of all shapes and sizes (and with all manner of light saber) turned out for a relatively impromptu flashmob, organized through the power of Facebook. If only we could get them all together with the Harry Potter fans who still have months to wait before the release of the first Harry Potter and the Deathly Hallows film. That’s a duel I’d love to see.

If you still need to sort our your own wand work, maybe you should check out the new Harry Potter board game. Warner Bros. announced this week that they’re releasing a new Hogwarts game, as well as new Lego sets this fall, in anticipation of the upcoming films. Maybe that, along with the news that ABC Family will be premiering Harry Potter and the Order of the Phoenix on February 27th will help make the wait a little more bearable.

Merlin fans are also stuck in a holding pattern, with the show’s third season just beginning production. Pierrefond’s (Camelot, to you Muggles) website has been updated to reflect the start of filming in April, with the show’s premier still set for September. And until then, C21medianet.com is reporting that Merlin has magicked up an iPhone app! It’ll be available in April in English, German, French, Spanish and Italian. Apparently, it’ll be a role-playing game and you can be either Merlin or Arthur.

Personally, I’m picking Merlin. He does hold the power of life and death, after all.

That’s all for this time. Until next week, mischief managed!

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Magic with an Accent: BEING HUMAN’s George Gets a Girlfriend (and a New Cage)

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WHAT’S ON MY TELLY

George howls at the moon

Lots of “gets” on this week’s Being Human! George (Russell Tovey) got a new girlfriend, a new job and a new cage in which to transform. Annie (Lenora Crichlow) got a new ghost (one with control over Death’s Door even), and Mitchell (Aidan Turner) got a coronation, apparently, as the new king of the vampires.

And we, the viewers, got a glimpse of what has made this show so great all along: George, Mitchell and Annie simply sitting together, helping one another and working toward a common goal.

This season has seen plenty of action: we’ve seen Nina, George’s no-nonsense girlfriend, transforming into a werewolf the first time, Annie got a job and a boyfriend (another crazy one, unfortunately — when will she learn?), and Mitchell’s story has been perhaps the most compelling of all, as he attempts to snuff out centuries of behavior and turn a coven of vampires into docile, non-blood suckers.

It sounds like a joke — a ghost, a werewolf and a vampire walk into a bar — but the heart of this show, the thing that keeps us coming back for more is these three, these unlikely three. We want to see the ways in which the defeat the odds, we want to see how they take care of each other, how they persevere, how they ultimately come out on top.

And, well, if it happens to come with awesome CGI and the sort of storytelling that has the power to make me both laugh hysterically and want to crawl out of my skin, all the better.

NEWS FROM ACROSS THE POND

The biggest new of the week is surely that Merlin has been picked up by SyFy to air in April.

While the network’s website has a 13-hour season 1 marathon listed on March 28th, the Powers That Be have informed TheTorchOnline.com that they will be airing season one every Friday starting April 2nd, and then season 2 after that. I don’t want to wait that long for season 2, but I for one am just excited that the show is returning to American airwaves (season 1 ran last summer, to pretty disastrous ratings, on NBC).

Unfortunately, there isn’t much more fantasy programming for you on the telly this week. There’s plenty out on DVD, though, so tug on your wellies and brave the weather for these new series: Merlin, Complete 2nd Series, Box Set; Doctor Who - The Masque Of Mandragora; Dante’s Inferno; and for the kiddos, Wolverine And The X-Men Vol.3 (from the CBBC show) and Blue Dragon - Series 1.

That’s it for this week! Until next time, mischief managed!

Looking to buy any of the projects mentioned in this article (or any other media)? Support TheTorchOnline.com by purchasing it through this link.

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Confirmed! MERLIN Season 2 Will Run on SyFy

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After much speculation, SyFy announced today that it has acquired the rights to both existing seasons of the U.K. show Merlin. Episodes will begin running in prime-time on Friday, April 2 at 10 PM.

The show was a producing partnership between the BBC and NBC, which ran the first season last summer to poor ratings. But this will be a U.S. premiere for Season 2, which has never been seen on American television.

The channel will rerun Season 1 first, with Season 2 following later.

Both the NBC network and SyFy are part of the NBC Universal entertainment group.

The BBC is currently filming a third season of the show, which will likely eventually run on SyFy as well.

Magic with an Accent: BEING HUMAN Explodes, MERLIN Picks Up, and More!

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Today we debut a new column that looks at fantasy and genre projects from the other side of the pond!

Nearly the whole of the UK has spent the last month covered in a blanket of snow and ice, but at least everyone has had great television to keep then entertained.

The cast of Being Human cozies up together

The cast of Being Human cozies up

January saw the return of the BBC breakout hit, Being Human, a supernatural Three’s Company. Being Human, which is in turns funny and terrifying, follows the lives of three twenty-somethings, John Mitchell (Aidan Turner), George Sands (Russell Tovey), and Annie Sawyer (Lenora Crichlow). It just so happens that these housemates are a vampire, a werewolf, and a ghost, respectively.

Being Human premiered with nearly a million and a half viewers, well up from the second season’s finale. Perhaps this could be attributed to our apparent never-ending fascination with vampires, but I think it’s more the intriguing storylines (a vampire who doesn’t want to drink blood?), the fantastic score, and a cast that is not only talented, but so gorgeous they’re gracing the current cover of Gay Times.

In fact, Being Human has been so wildly successful, American TV has decided to do what it does best: make a remake! SyFy has chosen husband and wife team Jeremy Carver (Supernatural) and Anna Fricke (Privileged) to repackage the show for American viewers. This, combined with the announcement that Fox is developing a U.S. version of Torchwood, makes us wonder: can an Americanized Doctor Who be far off?

We hope so. We hope it’s very, very far off indeed.

Colin Morgan as Merlin

Colin Morgan as Merlin

We’ve also got some news on the BBC hit show Merlin. BBC has announced that the series has been renewed for a third season. We got our first (often ham-fisted) glimpses of the Arthur (Bradley James) and Guinevere (Angel Coulby) romance in season two, as well as a new, darker Morgana (Katie McGrath) whose magic is no longer quite so secret, so it’s presumable that season three will start to look a little more like something that won’t make Arthurian scholars turn in their graves. No word yet as to when season three will begin production.

American Merlin fans have something to look forward to as well. The show was actually a co-production with the NBC network, which ran the show last summer — to disastrous ratings, alas. There’s virtually no chance that NBC will bring the show back to prime-time, but it seems likely that season two will appear on one of its sister channels — most likely, SyFy, though at this point, both NBC and SyFy have declined to comment on their plans to TheTorchOnline.com.

In more solid news, the first season will finally be available in DVD in the US starting April 20th.

David Tennant also ended his four-year run as the Doctor in Doctor Who in January, closing out with a two episode arc, “The End of Time”.

The episodes saw not only the return of the Doctor’s nemesis, the Master (John Simm), but of a whole slew of Time Lords, every companion the tenth Doctor has traveled with, even Gallifrey itself. After publicity photos of Donna (Catherine Tate), the Doctor’s previous companion (who lost her memories after a Human-Time Lord meta-crisis) surfaced, there was hope that the Doctor could restore her fuzzled brain and that together again they would save the world.

No such luck, but at least she made off with a new husband and a sackful of money which is, I suppose, someone’s idea of a happy ending.

Well, that’s it for this week. Until next week, mischief managed!

Looking to buy the first season of Merlin on DVD (or any other media)? Support TheTorchOnline.com by purchasing it through this link.

Ask the Oracle (Fantasy Questions Answered)

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Have a question about something fantasy-related? Ask the Oracle! (Be sure to include your first name and the city, state, and/or country you are writing from.)

Q: Another version of A Christmas Carol?!? How many frickin’ A Christmas Carols does the world need!! For the record, how many have already been done? — Candy, Key West, FL

A: The Oracle could not agree with you more! If there’s one thing that turns the Oracle into a Christmas Scrooge faster than anything, it’s, well, yet another production of this sweet, but wildly-over-told tale.

By the Oracle’s count, Charles Dickens 1843 novella has been adapted at least twenty-one times for film and at least forty-eight times for television. And this doesn’t include the countless local stage and school productions we’re all subjected to every year of the at least twenty different theatrical adaptations!

These days, Xena: Warrior Princess’s “A Solstice Tale” is the only version the Oracle can endure — and even that’s pushing it.

Bah humbug indeed!

Q: Does Satan exist?– Martin, Portsmouth, NH

A: A fallen angel who is, more or less, the literal embodiment of evil? No. The ancient Hebrews, from whom the idea of Satan originated, possessed great wisdom, and their religious stories contain impressive metaphorical truths, but their literal understanding of the world was flat-out wrong in almost every respect: the world is not flat, the sun does not revolve around the Earth, a flood never covered the planet, you couldn’t live inside a whale for three days, and on and on and on.

The Oracle sees no reason to think that since their pre-scientific understanding of the physical world was so wrong that their literal understanding of the “spiritual” one wouldn’t be equally literally incorrect.

It’s also worth noting that the “Satan” of The Bible is very different from the concept that we have of him today — most of which comes from sources, like Milton’s Paradise Lost, that are obviously fictional.

That said, many religions and cultures do contain the concept of some sort of physical embodiment of evil. But the Oracle would argue that this is merely a way for humans to make sense of the concept of evil, and to instruct others on the nature of evil — not evidence that such a being really exists. After all, all these “beings” are so different from each other as to be absolutely irreconcilable.

Still, the Oracle also doesn’t rule out the possibility of the existence of advanced alien species that are malevolent — beings that, for example, might enjoy torturing human beings. It’s also possible — extremely unlikely, but possible — that such beings might have been in contact with humanity at some point in our past, and have been mistaken for “devils.” Or, if these beings are spiritual, perhaps they really do “possess” people. So in that sense, “Satan” may exist.

But that’s very different from what most people think of when they say “Satan.”

Q: What about evil? Does that exist? – Martin, Portsmouth, NH

A: Evil is a subjective, descriptive term used by humans to describe something harmful or destructive to life.

It’s impossible to deny that such a thing exists, much as it’s impossible to deny that “beauty” exists — at least from the point-of-view of the person perceiving the beauty.

Does evil (or beauty) exist apart from someone perceiving it? No. Evil, by definition, requires a judgment call — which, of course, requires someone to do the judging.

Q: You said in another question that you can order the season 1 DVD of Merlin on Amazon UK. If, hypothetically, other DVDs from Britain have played on our DVD player, and if, hypothetically, I have a cousin studying abroad in England right now, would it be a good idea to have her smuggle Merlin into the US for me? — Wynne

A: The Oracle thinks you’re taking a big hypothetical chance. It’s possible you have a multi-region or “chipped” DVD player that can play DVDs from all regions (the more expensive it was, the more likely it is to be one). But increasingly, the studios are pressing DVDs that are unplayable out-of-region even on multi-region players (although there are work-arounds).

It’s also possible that those other DVDs you played were pressed before region encoding became so widespread.

I’d do two things: (1) check to see if you have a multi-region DVD player, then (2) ask yourself: “How technically proficient am I in case the DVD has extra-encoding?” If the answer to the first question is “Yes,” and the answer to the second question is “Very!” I’d say go for it. Otherwise, I wouldn’t.

From ultimate evil to DVD encoding! Hey, don’t ever say that the Oracle doesn’t answer all — and all kinds of — questions!

Have a question about something fantasy-related? Ask the Oracle! (Be sure to include your first name and the city, state, and/or country you are writing from.)

Four of Fantasy’s Very Coolest Parties

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Who doesn’t love a good party? At birthday parties, you get presents. At costume parties, you get to show off your kick-ass Boba Fett mask. At office Christmas parties, you get to hook up with that intern whose last name you can never remember.

When people get together, food and drinks are served, and a little letting-your-hair-down is added to the mix, occasionally some shenanigans can go down. Put that recipe into a fantasy setting and you never know what might happen. Here’s a look at four of the most interesting parties from the world of fantasy…

Cinderella’s Ball

This one’s a classic, a party that most of us are exposed to at childhood. Cinderella is one of those timeless stories that has not only appeared in almost every major culture in the history of the world, but is constantly told over and over again in modern fiction. Just this decade has given us Ella Enchanted, A Cinderella Story, Maid in Manhattan, etc., etc…

We never get tired of hearing a tale of how true love (or intense physical attraction) can overcome economic disparities, and how for every poor girl out there, her prince will come if she just dreams hard enough. (Rarely is this story ever told with a male central character.)

But of course the centerpiece of the Cinderella story is when dirty Cindy is prettied up with the help of supernatural forces (the specifics varying with each culture that tells it) and shows up at a party looking like a killer hottie. There she catches the prince’s eye and he gets hooked on her something fierce. But beauty is fleeting, and Cinderella only has so long before she gets all grody again, and thus she takes off in a hurry, leaving, naturally, her infamous shoe.

The Tea Party in Wonderland

In Alice’s Adventures in Wonderland, young Alice falls down the literal rabbit hole and finds herself in a world far trippier than she could have ever imagined, and perhaps one of the oddest sequences is the tea party with the Mad Hatter, the Dormouse, and the March Hare.

The Hatter, it turns out, was put on trial for killing time, which by its definition is murder — killing time — and has earned the wrath of the wicked Queen of Hearts. Perhaps as retaliation, time has halted for the Hatter and his companions so that it’s eternally 6:00, or tea time.  Their party is characterized by switching places and speaking nonsense to each other, until Alice gets frustrated and leaves. This scene, however brief in the original work, has become an iconic representation of Lewis’ masterpiece, and is often imitated in other stories.

Hogwarts’ Yule Ball

By the fourth book in the Harry Potter series, Harry Potter and the Goblet of Fire, the once-adorable tweens at Hogwarts are swiftly becoming victims to the throes of puberty, which means hormones are flying as fast as broomsticks in the hallowed halls of Hogwarts School of Witchcraft and Wizardry.

The school is throwing a Christmas dance called the Yule ball. Harry wants to go with Cho, but she’s going with Cedric, natch. Hermione wants to go with Ron, but he’s too daft to realize it, so to make him jealous she goes with Viktor, and with no dates Ron and Harry go with the Patil girls. And Hagrid is so up in Madame Maxine’s grill that he even uses product in his hair!

Okay, it’s pretty soapy as far as epic fantasy adventures go, and at this point it basically becomes Harry’s Creek. But one of the fun parts of the series is seeing the characters grow and mature, and this is really the first time we get a glimpse of young love causing the kind of mayhem that it does in the real world, and for that, it’s one for the ages.

Lady Helen Sings the Partiers to Sleep

Probable the creepiest party on our list — in the BBC/NBC show Merlin’s very first episode, it’s established that King Uther really, seriously, totally hates magic and magic-doers. No, like, he really hates magic. Even if it doesn’t make much sense. He just hates it!!

Anyway, he executes a young warlock and earns the wrath of said warlock’s mother, herself a very powerful witch, who decides to go all Mrs. Voorhees on not only Uther but his entire court at a feast in which she impersonates a famous singer, Lady Helen. As she walks down the aisle between tables, she sings a haunting aria, which turns out to be a magic spell, and one by one the revelers are all put to sleep and covered in dust and cobwebs.

Fortunately, the young wizard Merlin is there to save the day, and all ends well. But that’ll teach you to think twice next time you get an invitation to a party at Camelot.


Season 2 MERLIN Trailer

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MERLIN Finale and Series Review: Destiny More or Less Achieved

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Four Torches (Out of Five)

Warning: The following review contains spoilers for the first season of the TV series Merlin.

And so it ends.

The first season of Merlin came to an end last night with the airing of two episodes:  “To Kill the King,” in which Morgana goes postal on Uther, and “Le Morte de Arthur,” in which Arthur is critically injured by a mystical beast and Merlin learns that he can only be saved by making a deal with a practitioner of “old” magic, which requires the exchange of a life for a life.

There was a great twist in the latter episode when Merlin travels to the Island of the Blessed to seek out one of these ancient magicians, only to learn that the person he is dealing with is none other than … the witch Nimueh, his season-long nemesis.

Merlin gladly trades his life for Arthur’s — but as is usually the case when dealing with the devil, the deal doesn’t work out quite the way Merlin planned. It’s not his life the magic wants to take, but his mother’s.

The things I liked about the finale were all the things I liked about the 13-episode season:

  • The magical and emotional bond between Merlin and Arthur was fresh and interesting. They are “two sides of the same coin,” the dragon said, and they often influenced each other in interesting and unexpected ways.
  • The series and its other characters had what seemed to be well-planned-out plot arcs. For example, unlike in many TV shows, the characters responded to events that had come before. In addition to the deepening relationship between Merlin and Arthur, Morgana eventually became fed up with Uther (and vice-versa), and we learned interesting things about the pasts of Uther, Gaius, and Nimueh.
  • I loved the moral ambiguity of the dragon. He clearly knew the future, but was he an ally or an enemy? For him, the end always seemed to justify the means — which is, of course, perfectly in keeping with a being who does know the future and always sees the big picture. After all, what’s one life when the whole world is at stake? And the series left the dragon the perfect note, with Merlin finally coming to understand that he is not to be trusted — but by spurning the dragon, Merlin also created a powerful enemy for season 2.
  • Gaius was a terrific character played by a fantastic actor, Richard Wilson.

What didn’t I like about the season?

  • The female characters were almost embarrassingly thin.
  • The character of Uther was one-note and often over-the-top. His hatred of magic was eventually “explained,” but it was almost always boring.
  • Merlin’s magical ability was infuriatingly ill-defined, expanding or contracting based on the needs of the particular episode (and sometimes the particular scene!). In the finale, Nimueh was at first able to brush aside Merlin’s magic with a shrug … and then, after getting a little angry, he proceeded to destroy her with the same magic. WTF?
  • Several of the episode scripts were ridiculously bad, especially “Valiant” and “A Remedy to Cure all Ills,” and some of the plot resolutions, such as Merlin’s sudden ability to kill Nimueh with his “magic”, were contrived and disappointing.

Given the show’s low ratings on NBC, it seems very unlikely that the show will return for a second season on that network (despite the fact that they’re co-producing the show with the BBC). But a second season is currently being filmed in the U.K., so I hope that the episodes end up on the SyFy Channel (which is owned by NBC Universal).

It may not be a show for the ages, but even so, I’m looking forward to seeing more.

MERLIN Episode Review: Unicorns, Labyrinths, and Gay Subtext!

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Warning: This review contains plot-spoilers for “The Moment of Truth” and  “The Labyrinth of  Gedref” episodes of Merlin.

Two episodes of Merlin last night, both decent, neither extraordinary. Let’s look at each in turn, shall we?

The Moment of Truth


Four Torches (Out of Five)

Merlin’s home village is threatened by a warlord, but when his mother comes to Camelot asking Uther for help, he turns her down. So Merlin decides he must go back to the village.

What about all of Merlin’s vows in earlier episodes to protect Arthur — his answering of the dragon’s call, and that their destinies are completely intertwined, etc. etc.? Apparently, that’s completely forgotten, at least for this episode.

The most notable thing about the episode is the rather shocking amount of “hoyay” (or would-be gay subtext) in it. People have been telling me for weeks that this show can be read on two levels, and after last night’s episode, I’m never going to deny it again.

  • Why did Merlin leave this village in the first place? “I just didn’t fit in anymore. I wanted to find somewhere where I do.”
  • When Merlin talks to the former village bully, the bully says, “Why did you leave? I wouldn’t have told anyone.”
  • Later, Merlin says, “If Arthur doesn’t accept me for who I really am, he’s not the friend I hoped he was.”

Yes, yes, Merlin is talking about his ability to do magic. But you’d have to be an idiot not to see it on another level too.

“The moment of truth” from the title is the moment when Merlin decides to use his magic to save his village — despite the fact that Arthur will then know the truth.

Basically, Merlin decides to “come out” to Arthur.

The problem is, when Merlin finally does use his magic, he conjures a wind that sort of blows the warriors away. Seriously? Wind?

Then, before Merlin can admit the truth to Arthur, the dying warlord tries to shoot him with an arrow, and the former village bully throws himself in front of it, not only saving Arthur’s life, but also declaring, in his final breath, that he, not Merlin, is the sorcerer.

Um, why doesn’t Merlin use his magic — the magic that he just used — to save him?

A series of seriously clunky plot contrivances in an otherwise enjoyable episode.

The Labyrinth of Gedref


Four Torches (Out of Five)

In the night’s second episode, Arthur and Merlin are out hunting, and Arthur, over Merlin’s objections, kills a unicorn.

Bad idea.

Gaius says that there’s a legend that anyone who kills a unicorn is cursed and will be beset by misfortune — which I actually wish was a component of the Endangered Species Act.

Anyway, sure enough, the kingdom undergoes a series of plagues. But this brings up an interesting issue: the Keeper of the Unicorn spends a lot of the episode talking about how unicorns are “pure of heart” and Arthur must prove that he is “pure” if he wants to stop the curse.

But if this all about being “pure,” how come it involves all the innocent people of the kingdom? They didn’t kill the unicorn!

(I confess it’s a pet-peeve of mine how often in fantasy the lives of the non-central characters don’t matter at all.)

Anyway, Merlin is mystified by the curse. “If it’s magic, it must be more powerful magic than I possess,” he says, which is saying something, given that he’s done some pretty amazing things so far in this series (not counting the lame “wind” spell in the previous episode).

Eventually, Arthur ends up in a labyrinth quite similar to the one in Harry Potter and the Goblet of Fire where he must pass one final test — or the kingdom will be destroyed (again with the poor subjects of Camelot!).

The “riddle” that Arthur and Merlin must solve is a little underwhelming, but as anyone who reads this site knows, I absolutely love all manner of labyrinths and riddles, so I’m willing to go with the flow.

In addition to four torches, I give the episode an “up” unicorn arrow.

Episode Review: With “Excalibur,” MERLIN Finally Gets Its Edge Back

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Four and a Half Torches (Out of Five)

Warning: This review contains plot-spoilers for the “Excalibur” episode of Merlin.

Now we’re finally getting somewhere!

A mysterious and defiant Black Knight comes to Camelot wearing the coat of arms of someone Uther killed 20 years before and who, on his deathbed, vowed revenge on the king.

When one of the knights of Camelot challenges the Black Knight and the visitor easily defeats the young man, it confirms Gaius’ worst fears: the Black Knight doesn’t just wear the old knight’s coat of arms; he actually is that knight, somehow resurrected from the dead.

Problem: you can’t kill someone who’s already dead.

Sure enough, as if to prove that he’s an otherworldly being, the knight doesn’t go to sleep at night, but rather stands, motionless, in the courtyard, until the next match the following day. Very creepy.

But Arthur, who’s not big on thinking before he acts, challenges the knight. And this is what kicks the episode into high gear.

Gaius confronts Uther, telling him not to let Arthur fight the knight, even if it means telling him “who the knight really is.” But Uther can’t have that, because it would mean telling Arthur the truth about his birth.

And what is that truth? Year earlier, Uther made a wish of the witch Nimueh that he’d have a son, but it came with a price he didn’t understand (and that she claims she didn’t know) — the life of his wife.

Okay, I’m not sure why Uther can’t tell Arthur what he needs to know about the Black Knight without also telling him this, but whatever. Finally, we have an explanation for Uther’s irrational hatred of magic. The show was starting to annoy me in this respect, so this is very good.

Rather than reveal to Arthur the secret of his birth, Uther plans to fight the Black Knight himself; he knows it will mean his death, but at least the knight, and Nimueh, who resurrected the knight to begin with, will have their revenge, and Arthur will be saved.

(I have one small quibble: Uther makes Gaius promise that, when he dies, he not tell Arthur what he knows, saying that Gaius is the only other person who knows the truth. But by my count, there’s a crowd of about 50 that Uther knows also know the truth, including Nimueh, the dragon, and any number of dead people who can apparently be brought back to life by magic.)

Anyway, while Uther is plotting to take on the Black Knight, Merlin goes to see the dragon, who helps him forge a sword for Arthur so powerful that it can even kill the dead.

At one point, the dragon says to Merlin, “It may surprise you, but my knowledge of your life is not universal.”

This surprises me too! The dragons seems to know absolutely everything else about Merlin, including his and Arthur’s complete destiny, most of Merlin’s plans and machinations, and, probably, the waist size of his tight-whities.

But the dragon also gives Merlin a warning: “The sword was forged for Arthur, and him alone.”

Well, we all basically know what’s going to happen next: Uther drugs Arthur, meaning he can’t use the sword. And when Uther sees how nice it is, he insists on using it against the Black Knight, despite Merlin’s objections.

Speaking of which, when you’re warned by a magical and (despite what he says) all-seeing dragon that disaster will strike if anyone other than the intended user wields a particular sword, wouldn’t you fight a little harder to keep that sword out of someone else’s hands? It’s not like Uther is merely asking Merlin for, say, a tablet of Xanax from someone else’s prescription bottle.

Still, I guess there’d be no story if Uther didn’t eventually get his way.

And mostly, I liked the synchronicity of this episode, with some nice plot complications placed against the backdrop of the greater Arthinian legend — in this case, the creation of Excalibur, which, of course, Merlin must now hide until it comes into play later in their lives, to be given to Arthur by the Lady of the Lake.

Overall, this was an excellent episode, and not to put too fine a point on it, I’ve had to sit through a fair number of crappy Merlin episodes lately, so it was extremely welcome.

Merlin is back on track! Let’s hope it lasts.

The Wisdom of the Dragon:

(1) “The dead do not return without reason.”

(2) “You do not know, you can only guess.”

(3) “What is made cannot be unmade.”

Video Proof: MERLIN Has Gay Subtext

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Last week, we ran an article on the alleged “HoYoy” — or gay subtext — in the NBC show Merlin.

Not convinced? Consider this:

(Warning: There are minor spoilers if you haven’t seen the first 10 episodes.)

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